JSCHEIDEMUSIC.COM
Here you will find the scores of some of my compositions and piano reductions:
1. for recorder(s) in various combinations and with keyboard
2. solo keyboard pieces
3. transcriptions I have made for piano solo.
There are recorded performance files of some pieces that may be listened to before deciding whether to acquire the score.
Please note that an enormous number of recorder arrangements await you at our transcription website (that also includes my recorder works): verygoodrecordertranscriptions.com
“Whoever is a poet is always one, and continually assaulted by poetry. I suppose a painter feels that colors and shapes are besieging [them]. Or a musician feels that the strange world of sounds—the strangest world of art— is always seeking [them] out, that there are melodies and dissonances looking for [them].” —Jorge Luis Borges, SELECTED NON-FICTIONS, trans. Eliot Weinberger, p. 482.
Here you will find the scores of some of my compositions and piano reductions:
1. for recorder(s) in various combinations and with keyboard
2. solo keyboard pieces
3. transcriptions I have made for piano solo.
There are recorded performance files of some pieces that may be listened to before deciding whether to acquire the score.
Please note that an enormous number of recorder arrangements await you at our transcription website (that also includes my recorder works): verygoodrecordertranscriptions.com
“Whoever is a poet is always one, and continually assaulted by poetry. I suppose a painter feels that colors and shapes are besieging [them]. Or a musician feels that the strange world of sounds—the strangest world of art— is always seeking [them] out, that there are melodies and dissonances looking for [them].” —Jorge Luis Borges, SELECTED NON-FICTIONS, trans. Eliot Weinberger, p. 482.
Catalog
Recorder Trios
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Jay Scheide
- Set of Five Recorder Trios
- Homage to Bach (and the 3rd Section of his Organ Fantasia, BWV 572) and an anonymous Zen poet, for two alto recorders who must also sing, and bass recorder
- Jazz Canon for Recorder Trio
- In Stile Antico e Moderno (two versions)
- Canzona from Wawona
- It’s Seven-two Time
- Wiskidy (Recorder Trio)
Pieces for Solo Recorder and Keyboard
NB: All pieces in this section are for Alto Recorder and Keyboard unless otherwise noted
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Jay Scheide
Pieces for Solo Recorder, No Keyboard Part Anticipated
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Jay Scheide
Recorder Duets
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Jay Scheide
Pieces for Piano Solo
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J. S. Bach (1685-1750)
- Opening ritornel from Cantata 3, *Ach Gott, wie manches Herzeleid*
- Selections from Cantata 4, *Christ lag in Todesbanden*
- Opening aria from Cantata 54, *Widerstehe doch der Sünde*
- Chorale Prelude, “Liebster Jesu, wir sind hier”, BWV 633, from the *Orgelbüchlein*
- Chorale Prelude, *Erbarm’ dich mein, O Herre Gott*, BWV 721
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J. B. Saint-Georges (1745-1799)
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Christian Gottlob Neefe (1748-1798)
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L. van Beethoven (1770-1827)
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G. Mahler (1860-1911)
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E. Satie (1866-1925)
- “Gnossienne No. 7”, the opening of *Trois morceaux en forme de poire*, arr. for piano two-hands
- No. 1 from *Trois morceaux en forme de poire*
- Excerpt from “No. 2” of *Trois morceaux en forme de poire*
- “No. 3” from Trois morceaux en forme de poire
- “En plus” from *Trois morceaux en forme de poire*
- Chorale from *Aperçus Désagréables*
- *Parade*, Ballet réaliste (Orchestral version)
- *La Belle Excentrique*