Recorder & Keyboard part

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Showing 1–16 of 338 results

  • 2nd Mvmt.

    Originally in Eb major, transposed here to G.

    Recorder & Keyboard part, 3+1 pp.
    $0.50
  • Gavotte en Rondeau from Partita No. 3 BWV 1006

    Recorder & Keyboard part, 4+2 pp.
    $0.50
  • Both 5. Burlesca and 6. Scherzo

    Originally in a minor, transposed here to d. Includes an introductory commentary.

    Recorder & Keyboard part, 5+1 pp.
    $0.50
  • Sonata K. 55, L. 335, P. 117

    Recorder & Keyboard part, 5+2 pp.
    $0.50
  • Aria, “Deposuit potentes” from *Magnificat*, BWV 243, transposed to d

    Recorder & Keyboard part, 4+1 pp.
    $0.50
  • 3rd Mvmt.

    Originally in g minor, transposed here to c. This arrangement has a precedent of sorts by Bach himself, in that Sonata No. 1 for Gamba, BWV 1027 seems to have originated as BWV 1039, a trio sonata for two flutes. Thus, the convertibility of music in different octaves and for different timbres (as well the number of instruments deployed) is clearly established in the repertory, even without reference to all the firm evidence we have about Baroque performance practice. In the first movement, some of the hardest passages for the recorder part are eliminated, or rather given to the keyboard player, simply by switching places between the original gamba part and the right hand of the keyboard part. Of course, the fact that these two parts are in the same style (very much as in a trio sonata, or a double concerto) is what makes this an especially viable transcriptional option. Note the alternative version in d; this one in c is a little bit more difficult. Film buffs take note that the slow movement of this sonata is featured prominently in the opening section of the 1991 movie “Truly, Madly, Deeply.”

    Recorder & Keyboard part, 8+2 pp.
    $0.50
  • “Tyrolienne Turque,” from *Croquis et Agaceries d’un Gros Bonhomme en Bois*, for alto doubling tenor (or soprano)

    Recorder & Keyboard part, 4 pp.
    $0.50
  • Bach Chorale Prélude, BWV 678

    Recorder & Keyboard part, 6+2 pp.
    $0.50
  • Trio from Brandenburg Concerto No. 1 BWV 1046 arr. for tenor or soprano recorder & keyboard

    Recorder & Keyboard part, 2+1 pp.
    $0.50
  • strozziAriaAureGiaChe

    testing

    Recorder & Keyboard part, 3434pp.
    $0.50
  • 1st Mvmt.

    Originally in C major, transposed here to F. Keyboard part has very good page-turns.

    Recorder & Keyboard part, 8+2 pp.
    $0.50
  • Chorale Prelude, “O Mensch, bewein’ dein’ Sünde gross,” BWV 622

    Recorder & Keyboard part, 2+1 pp.
    $0.50
  • 2nd Mvmt.

    Originally in C major, transposed here to F. Soprano recorder (with a more difficult option for Alto) is called for at the beginning of both the 1st and 2nd movements, with plenty of time to switch to Alto early on. There are easier and harder versions and these differ in only one section of the first movement. Thus, if one wants to save paper but wants both easier and hard versions, note that the only difference occurs in p. 5 of the score, and on p. 2 of the 1st movement’s recorder part. Significant revisions made October 27, 2016.

    Recorder & Keyboard part, 7+2 pp.
    $0.50
  • Aria, “Ich bin vergnügt in meinem Leiden,” from Cantata 58

    Recorder & Keyboard part, 6+2 pp.
    $0.50
  • Fugue No. 7, BWV 852/2

    Originally in Eb major, transposed here to Bb.

    Recorder & Keyboard part, 4 pp.
    $0.50
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