3+1 pp.

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Showing 1–16 of 29 results

  • Bach Chorale Prélude, BWV 645

    Recorder & Keyboard part, 3+1 pp.
    $0.50

  • 3-part Invention No. 12, BWV 798

    Recorder & Keyboard part, 3+1 pp.
    $0.50

  • Bach Prélude and Fugue BWV 556

    Recorder & Keyboard part, 3+1 pp.
    $0.50

  • Bach Prélude and Fugue BWV 553 arr. for tenor or soprano recorder & keyboard

    Recorder & Keyboard part, 3+1 pp.
    $0.50

  • Bach Prélude and Fugue BWV 558

    Recorder & Keyboard part, 3+1 pp.
    $0.50

  • Bach Prélude and Fugue BWV 558 arr. for tenor or soprano recorder & keyboard

    Recorder & Keyboard part, 3+1 pp.
    $0.50

  • Prelude

    Originally in e minor, transposed here to a.

    Recorder & Keyboard part, 3+1 pp.
    $0.50

  • Excerpt from Piano Sonata, D. 958, 4th mvmt., version for alto recorder

    Recorder & Keyboard part, 3+1 pp.
    $0.50

  • Sonata da Chiesa K. 144

    Originally for organ, two violins and bass in D major, transposed here to F. Revised Jan. 16, 2017.

    Recorder & Keyboard part, 3+1 pp.
    $0.50

  • Fugue

    Originally in e minor, transposed here to a.

    Recorder & Keyboard part, 3+1 pp.
    $0.50

  • Lento assai from String Quartet No. 16, Op. 135, for bass recorder, doubling alto, and keyboard

    Recorder & Keyboard part, 3+1 pp.
    $0.50

  • Sonata da Chiesa K. 68

    Recorder & Keyboard part, 3+1 pp.
    $0.50

  • 2nd mvmt.

    Originally in c minor, transposed here to g. Revised Dec. 12, 2016.

    Recorder & Keyboard part, 3+1 pp.
    $0.50

  • Gavotte I & II from Suite No. 5, BWV 1011, version based primarily on Bach’s arrangement for lute

    Recorder & Keyboard part, 3+1 pp.
    $0.50

  • Allemande from Partita No. 5, BWV 829

    Originally in G major, transposed here to Bb.

    Recorder & Keyboard part, 3+1 pp.
    $0.50

  • Version based primarily on Bach’s arrangement for lute

    Originally in c minor, transposed here to d. Two versions, one based primarily on Bach’s arrangement for lute, and the other based only on the original cello suite. In the latter, the keyboard part has a newly composed bass line. Slurs taken from the earliest cello suite source are added, but due to the lack of clarity in that most important manuscript, they should not be taken overly seriously. Note that we have a version for recorder alone (in the “Pieces for Solo Recorder, No Keyboard Part Planned,” section), featuring grace notes to simulate multiple stops, that is based solely on the cello suite.

    Recorder & Keyboard part, 3+1 pp.
    $0.50
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