3+1 pp.

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Showing 1–16 of 29 results

  • Sonata da Chiesa K. 144

    Originally for organ, two violins and bass in D major, transposed here to F. Revised Jan. 16, 2017.

    Recorder & Keyboard part, 3+1 pp.
    $0.50

  • Fugue

    Originally in e minor, transposed here to a.

    Recorder & Keyboard part, 3+1 pp.
    $0.50

  • Lento assai from String Quartet No. 16, Op. 135, for bass recorder, doubling alto, and keyboard

    Recorder & Keyboard part, 3+1 pp.
    $0.50

  • Sonata da Chiesa K. 68

    Recorder & Keyboard part, 3+1 pp.
    $0.50

  • 2nd mvmt.

    Originally in c minor, transposed here to g. Revised Dec. 12, 2016.

    Recorder & Keyboard part, 3+1 pp.
    $0.50

  • Gavotte I & II from Suite No. 5, BWV 1011, version based primarily on Bach’s arrangement for lute

    Recorder & Keyboard part, 3+1 pp.
    $0.50

  • Allemande from Partita No. 5, BWV 829

    Originally in G major, transposed here to Bb.

    Recorder & Keyboard part, 3+1 pp.
    $0.50

  • Version based primarily on Bach’s arrangement for lute

    Originally in c minor, transposed here to d. Two versions, one based primarily on Bach’s arrangement for lute, and the other based only on the original cello suite. In the latter, the keyboard part has a newly composed bass line. Slurs taken from the earliest cello suite source are added, but due to the lack of clarity in that most important manuscript, they should not be taken overly seriously. Note that we have a version for recorder alone (in the “Pieces for Solo Recorder, No Keyboard Part Planned,” section), featuring grace notes to simulate multiple stops, that is based solely on the cello suite.

    Recorder & Keyboard part, 3+1 pp.
    $0.50

  • Double

    Originally for lute, for keyboard, or for both, or possibly for lute-harpsichord, in c minor, transposed here to d. The prelude is supplied with optional cadenzas at the two fermatas toward the end. It is possible to perform the last two dances in the order presented, or, as in the great recorded performance by guitarist Julian Bream, play the A section of the Double right after the A section of the Gigue, followed by the respective B sections. Slight revision May 6, 2014. Significant revision of Double Jan. 18, 2016, in which the keyboard now extends over the usual limit of C6 to E6.

    Recorder & Keyboard part, 3+1 pp.
    $0.50

  • Opening Ritornel from Chorus “Gott der Herr ist Sonn’ und Schild” from Cantata 79

    Recorder & Keyboard part, 3+1 pp.
    $0.50

  • BWV 1011, Gavottes I & II, version based entirely on the cello suite

    Recorder & Keyboard part, 3+1 pp.
    $0.50

  • Aria, “Lass’ der Spötter,” from Cantata 70

    Recorder & Keyboard part, 3+1 pp.
    $0.50

  • 2nd Mvmt.

    Originally in Eb major, transposed here to G.

    Recorder & Keyboard part, 3+1 pp.
    $0.50

  • Sonata K. 9, L. 413, P. 65

    Recorder & Keyboard part, 3+1 pp.
    $0.50

  • No. 5 from *Moments musicaux* D. 780

    Originally in f minor for piano solo, transposed here to d.

    Recorder & Keyboard part, 3+1 pp.
    $0.50

  • 2nd Mvmt.

    Originally in d minor, transposed here to g.

    Recorder & Keyboard part, 3+1 pp.
    $0.50
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