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Showing 17–32 of 176 results

  • K. 33

    Originally for solo keyboard in D major, transposed here to F.

    Recorder part, 2 pp.
    $0.50
  • 3rd Mvmt., Vivace

    Originally in e minor, transposed here to g. Minor revisions (on pp. 5-6) 4.14.13.

    2 pp.
    $0.50
  • No. 1 from *Trois morceaux en forme de poire*

    2 pp.
    $0.50
  • Prelude No. 11

    Originally in F major, transposed here to C.

    Recorder part, 2 pp.
    $1.00
  • 3rd Mvmt.

    Originally in C major, transposed here to F. Soprano recorder (with a more difficult option for Alto) is called for at the beginning of both the 1st and 2nd movements, with plenty of time to switch to Alto early on. There are easier and harder versions and these differ in only one section of the first movement. Thus, if one wants to save paper but wants both easier and hard versions, note that the only difference occurs in p. 5 of the score, and on p. 2 of the 1st movement’s recorder part. Significant revisions made October 27, 2016.

    Recorder part, 2 pp.
    $0.50
  • Bach Chorale Prélude BWV 645 duet, for alto & tenor recorders

    Duet, 2 pp.
    $0.50
  • 3rd Mvmt.

    Originally for double flutes, double oboes da caccia, soprano and continuo, in f dorian, transposed here to a dorian. Title means ?Release, O my heart, your torrents of crying.?

    2 pp.
    $0.50
  • Love’s Old Sweet Song duet

    2 pp.
    $0.50
  • Contrapunctus 13, Inversus

    Originally in d minor, transposed here to g. The dotted eighth-16th note rhythm should be assimilated to the prevailing triplets (i. e. the 16th should co?ncide with the 3rd eighth of the triplet). But the occasional groups of two or four 16ths should be as written. Contains 2 optional high A’s, either of which may be smoothly avoided.

    Recorder part, 2 pp.
    $0.50
  • Preludeā€”c minor version

    Originally in a minor, transposed here to c. Note that these same four movements are also available in the catalogue in the key of d.

    Recorder part, 2 pp.
    $0.50
  • Bach Tempo di Borea & Double from Partita No. 1 BWV 1002

    Recorder part, 2 pp.
    $0.50
  • 3rd Mvmt.

    Originally in A major, transposed here to F. Thought to have been based on a lost concerto for oboe d’amore. In almost all cases, recorder plays main theme in tutti sections.

    Recorder part, 2 pp.
    $0.50
  • K. 55

    Originally for solo keyboard in G major, transposed here to C.

    Recorder part, 2 pp.
    $0.50
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