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Showing 145–160 of 176 results

  • Eight tunes from *The Bird Fancyer’s Delight* arr. for soprano & alto recorders

    2 pp.
    $0.50
  • 3MorceauxEnPlusKbd.

    2 pp.
    $0.50
  • 1st Mvmt.

    Originally in G major, transposed here to Bb.

    Recorder part, 2 pp.
    $0.50
  • 2nd mvmt.

    Originally in d minor, transposed here to g. The Concerto for 2 Harpsichords BWV 1062 was also used as a source. The recorder part has a high A and a few F#’s, all optional. The main theme of the 2nd movement contains grace notes in its 2nd measure which are featured only in BWV 1062, and which may be omitted, and then of course this must be done on a consistent basis throughout the movement. See also a version for two recorders and keyboard, under ?Pieces with Other Instrumentations.?

    Recorder part, 2 pp.
    $0.50
  • 1st mvmt.

    Originally in g minor, transposed here to d. The violin concerto BWV 1041 in a minor was also used as a source for this arrangement. Care has been taken on the page turns. For movements 1 & 2, which have odd numbers of pages, the page turns were optimized so that it is best to begin with page 1 on the right side?i.e., the best page turns are between pp. 1 and 2, between 3 and 4, etc. Film buffs take note that the ending of the 1991 movie ?Truly, Madly, Deeply? features music from the slow movement of this concerto. Third movement revised May 12, 2015, and Jan. 5, 2016. First movement revised Sept. 4, 2015.

    Recorder part, 2 pp.
    $0.50
  • 2nd Mvmt., Adagio ma non molto

    Originally in Eb major, transposed here to F.

    2 pp.
    $0.50
  • Schubert D. 894.3 Duet

    2 pp.
    $0.50
  • Sinfonia from *Acis and Galatea*

    Originally for orchestra of 2 oboes, 1st & 2nd violins and continuo, transposed here from Bb major to F. Full cadence tacked on to make a full close in the tonic (which is lacking in the original).

    Recorder part, 2 pp.
    $0.50
  • Canon at the Octave

    Originally in d minor, transposed here to g. Contains a fermata 4 bars before the end. A FREE item from this website is due anybody who can correctly identify the meaning of this fermata. By the way, the page turns for the kbd. player on this piece have been created better than one can believe (i. e. VERY easy for the player)!

    Recorder part, 2 pp.
    $0.50
  • Trio Sonata from *Musical Offering* BWV 1079 Complete

    Originally for flute, violin, and continuo. Transposed here from c minor to d (except for the 3rd movement which goes from Eb to F). There are some optional low E’s.

    Recorder part, 2 pp.
    $0.50
  • Harder version

    Solo part only. Harder version originally in G major, transposed here to C, with a few high F#’s that are not terribly difficult, though there are plenty of other challenges. We also offer an easier version in the original key with no high F#’s but with a switch to C recorder.

    2 pp.
    $0.50
  • Contrapunctus 8

    Originally in d minor, transposed here to g. This arrangement is dedicated to Larry Zukoff, the teacher with whom I first played this fugue in a recorder arrangement (a different one, I believe by him).

    Recorder part, 2 pp.
    $0.50
  • Aria-2-Recorder part

    Second number in the cantata. Originally for soprano, oboe, violin, violoncello piccolo, and basso continuo, in original key of F major. Title means, “My believing heart.”

    Recorder part, 2 pp.
    $0.50
  • Sinfonia from Partita No. 2 BWV 826

    Originally in c minor, transposed here to g. In three sections: Grave adagio, Andante, and a two-part fugue, at an unspecified but clearly much faster tempo.

    Recorder part, 2 pp.
    $0.50
  • 3rd Mvmt., Vivace

    In original key of C major.

    2 pp.
    $0.50
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