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  • 3rd mvmt.

    Originally a concerto for violin in E major (BWV 1042), then a concerto for harpsichord in D, transposed in this arrangement to G. 2nd movement contains one high f# which is not too difficult for a good player.

    Recorder part, 2 pp.
    $0.50
  • Capriccio

    Originally in c minor, transposed here to g. Contains an optional high F#.

    Recorder part, 2 pp.
    $0.50
  • *Menus propos enfantins* arr. for recorder duet (various recorders possible)

    Duet, 2 pp.
    $0.50
  • (Easier) version requiring old-pitch alto as well as modern

    2 pp.
    $0.50
  • ChabrierPaysageRecPtInDb

    2 pp.
    $0.50
  • Fugue No. 15, BWV 860

    Originally in G major, transposed here to F.

    Recorder part, 2 pp.
    $0.50
  • Capriccio

    Originally in C# major, transposed here to F.

    Recorder part, 2 pp.
    $0.50
  • 3rd Mvmt., Alla breve (Fugue)

    In original key of g minor.

    2 pp.
    $0.50
  • -2

    Duet, 2 pp.
    $0.50
  • TESTPIECE!2345

    2 pp.
    $1.00
  • Variation 25

    Originally in g minor, transposed here to c. Mm. 5-8 can only be played by switching either to old-pitch voice flute (assuming original context to be modern-pitch) or to tenor?but there is plenty of time for the switch and then the switch back. There is also an option to switch to various recorders, including soprano, at the hair-raising mm. 21-24.

    Recorder part, 2 pp.
    $0.50
  • 3rd mvmt.

    Originally in g minor, transposed here to d. The violin concerto BWV 1041 in a minor was also used as a source for this arrangement. Care has been taken on the page turns. For movements 1 & 2, which have odd numbers of pages, the page turns were optimized so that it is best to begin with page 1 on the right side?i.e., the best page turns are between pp. 1 and 2, between 3 and 4, etc. Film buffs take note that the ending of the 1991 movie ?Truly, Madly, Deeply? features music from the slow movement of this concerto. Third movement revised May 12, 2015, and Jan. 5, 2016. First movement revised Sept. 4, 2015.

    Recorder part, 2 pp.
    $0.50
  • 1st Mvmt.

    Originally in g minor, transposed here to c. This arrangement has a precedent of sorts by Bach himself, in that Sonata No. 1 for Gamba, BWV 1027 seems to have originated as BWV 1039, a trio sonata for two flutes. Thus, the convertibility of music in different octaves and for different timbres (as well the number of instruments deployed) is clearly established in the repertory, even without reference to all the firm evidence we have about Baroque performance practice. In the first movement, some of the hardest passages for the recorder part are eliminated, or rather given to the keyboard player, simply by switching places between the original gamba part and the right hand of the keyboard part. Of course, the fact that these two parts are in the same style (very much as in a trio sonata, or a double concerto) is what makes this an especially viable transcriptional option. Note the alternative version in d; this one in c is a little bit more difficult. Film buffs take note that the slow movement of this sonata is featured prominently in the opening section of the 1991 movie “Truly, Madly, Deeply.”

    Recorder part, 2 pp.
    $0.50
  • 3rd Mvmt., Vivace

    Originally in f minor, transposed here to g.

    2 pp.
    $0.50
  • ThirdD946RecPt.

    2 pp.
    $0.50
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