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  • 1st Mvmt.

    Originally in C major, transposed here to F. Keyboard part has very good page-turns.

    Recorder part, 2 pp.
    $0.50
  • Contrapunctus 13 Inversus

    Originally in d minor, transposed here to g. The dotted eighth-16th note rhythm should be assimilated to the prevailing triplets (i. e. the 16th should co?ncide with the 3rd eighth of the triplet). But the occasional groups of two or four 16ths should be as written. Contains 2 optional high A’s, either of which may be smoothly avoided.

    Recorder part, 2 pp.
    $0.50
  • Fugue

    Originally in a minor, transposed here to d.

    Recorder part, 2 pp.
    $0.50
  • 3rd Mvmt., Presto

    Originally in G major, transposed here to F.

    2 pp.
    $0.50
  • Chorale Prelude, *Erbarm’ dich mein, O Herre Gott*, BWV 721

    2 pp.
    $0.50
  • 3rd Mvmt.

    Originally in F major, transposed here to C. Optional low bass tones in keyboard part are given in small notes.

    Recorder part, 2 pp.
    $0.50
  • Fugue for Violin and Continuo BWV 1026

    Same key and mode as in original?g dorian.

    Recorder part, 2 pp.
    $0.50
  • 3rd Mvmt.

    Originally in g minor, transposed here to d. This arrangement has a precedent of sorts by Bach himself, in that Sonata No. 1 for Gamba, BWV 1027 seems to have originated as BWV 1039, a trio sonata for two flutes. Thus, the convertibility of music in different octaves and for different timbres (as well the number of instruments deployed) is clearly established in the repertory, even without reference to all the firm evidence we have about Baroque performance practice. Note the alternative version in c; this one in d is a little easier. Film buffs take note that the slow movement of this sonata is featured prominently in the opening section of the 1991 movie ?Truly, Madly, Deeply.?

    Recorder part, 2 pp.
    $0.50
  • Test.pdf

    2 pp.
    $1.00
  • Contrapunctus 9

    Originally in d minor, transposed here to g.

    Recorder part, 2 pp.
    $0.50
  • Fugue

    Originally in g minor, transposed here to d. Contains a high A and some high F#’s that are not too difficult for intrepid recorder players. And some of these and other high passages are given with lower options.

    Recorder part, 2 pp.
    $0.50
  • Preludeā€”d minor version

    Originally in a minor, transposed here to d. Note that these same four movements are also available in the catalogue in the key of c. Bourr?e I and II require a change to either tenor or voice flute. To avoid this, one could use the version of this piece in c. To avoid the change of key, one could mix and match between the two versions which would necessitate using recorders either one whole tone down (in Eb) or one whole tone up (in G), in alternation with the familiar recorder in F.

    Recorder part, 2 pp.
    $0.50
  • -2

    Duet, 2 pp.
    $0.50
  • 2nd Mvmt.

    Originally in C major, transposed here to F. Keyboard part has very good page-turns.

    Recorder part, 2 pp.
    $0.50
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