10+2 pp.

from:

Showing all 9 results

  • Canon at the Octave

    Originally in d minor, transposed here to g. Contains a fermata 4 bars before the end. A FREE item from this website is due anybody who can correctly identify the meaning of this fermata. By the way, the page turns for the kbd. player on this piece have been created better than one can believe (i. e. VERY easy for the player)!

    Recorder & Keyboard part, 10+2 pp.
    $0.50
  • Aria, “Seele, deine Specereien sollen nicht mehr Myrrhen sein”, from the Easter Oratorio, BWV 249

    Recorder & Keyboard part, 10+2 pp.
    $0.50
  • Bach Fugue from BWV 543

    Originally in a minor, transposed here to d.

    Recorder & Keyboard part, 10+2 pp.
    $0.50
  • 1st Mvmt.

    Originally in g minor, transposed here to c. This arrangement has a precedent of sorts by Bach himself, in that Sonata No. 1 for Gamba, BWV 1027 seems to have originated as BWV 1039, a trio sonata for two flutes. Thus, the convertibility of music in different octaves and for different timbres (as well the number of instruments deployed) is clearly established in the repertory, even without reference to all the firm evidence we have about Baroque performance practice. In the first movement, some of the hardest passages for the recorder part are eliminated, or rather given to the keyboard player, simply by switching places between the original gamba part and the right hand of the keyboard part. Of course, the fact that these two parts are in the same style (very much as in a trio sonata, or a double concerto) is what makes this an especially viable transcriptional option. Note the alternative version in d; this one in c is a little bit more difficult. Film buffs take note that the slow movement of this sonata is featured prominently in the opening section of the 1991 movie “Truly, Madly, Deeply.”

    Recorder & Keyboard part, 10+2 pp.
    $0.50
  • 1st Mvmt.

    Originally in g minor, transposed here to d. This arrangement has a precedent of sorts by Bach himself, in that Sonata No. 1 for Gamba, BWV 1027 seems to have originated as BWV 1039, a trio sonata for two flutes. Thus, the convertibility of music in different octaves and for different timbres (as well the number of instruments deployed) is clearly established in the repertory, even without reference to all the firm evidence we have about Baroque performance practice. Note the alternative version in c; this one in d is a little easier. Film buffs take note that the slow movement of this sonata is featured prominently in the opening section of the 1991 movie ?Truly, Madly, Deeply.?

    Recorder & Keyboard part, 10+2 pp.
    $0.50
  • Chorale “Sei Lob und Preis mit Ehren” from Cantata 51

    Recorder & Keyboard part, 10+2 pp.
    $0.50
  • Aria “Endlich, endlich wird mein Joch” from Cantata 56

    Recorder & Keyboard part, 10+2 pp.
    $0.50
  • Aria, “Des Vaters Stimme ließ sich hören,” from Cantata 7

    Recorder & Keyboard part, 10+2 pp.
    $0.50
  • 3rd mvmt.

    Originally in g minor, transposed here to d. The violin concerto BWV 1041 in a minor was also used as a source for this arrangement. Care has been taken on the page turns. For movements 1 & 2, which have odd numbers of pages, the page turns were optimized so that it is best to begin with page 1 on the right side?i.e., the best page turns are between pp. 1 and 2, between 3 and 4, etc. Film buffs take note that the ending of the 1991 movie ?Truly, Madly, Deeply? features music from the slow movement of this concerto. Third movement revised May 12, 2015, and Jan. 5, 2016. First movement revised Sept. 4, 2015.

    Recorder & Keyboard part, 10+2 pp.
    $1.00
Add to Cart