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Showing 1–16 of 141 results

  • Fugue No. 11

    Originally in F major, transposed here to C.

    Recorder part, 1 pp.
    $1.00
  • Fugue No. 15—version in Bb

    Originally in G major, transposed here to C, with another version in Bb. If one has an alto @ 392, it is possible to mix and match. My opinion is that the recorder part for the prelude is more doable in Bb, and that the part for the fugue is easier in C. Thus one could use a version all in Bb, but using the alto @ 392 to play the fugue, playing from the C major recorder part, but sounding in Bb.

    Recorder part, 1 pp.
    $0.50
  • 4th Mvmt.

    Originally in G major, transposed here to C. If played on tenor or soprano, with F fingering, will be in the same key as original continuo part. (Our keyboard part, when done, will be in C major, to work with recorder part played by alto.) N.B.: This is the original of which BWV 1038 (q. v.) for flute, violin and continuo is an arrangement?possibly not by Bach. As for the present work, doubt exists about where the bass part originated.

    Recorder part, 1 pp.
    $0.50
  • 2nd Mvmt., Cantabile

    Originally in G major, transposed here to Bb.

    1 pp.
    $0.50
  • Prelude

    Originally in C# major, transposed here to F.

    Recorder part, 1 pp.
    $0.50
  • Double

    Originally for lute, for keyboard, or for both, or possibly for lute-harpsichord, in c minor, transposed here to d. The prelude is supplied with optional cadenzas at the two fermatas toward the end. It is possible to perform the last two dances in the order presented, or, as in the great recorded performance by guitarist Julian Bream, play the A section of the Double right after the A section of the Gigue, followed by the respective B sections. Slight revision May 6, 2014. Significant revision of Double Jan. 18, 2016, in which the keyboard now extends over the usual limit of C6 to E6.

    Recorder part, 1 pp.
    $0.50
  • 3rd Mvmt.

    Originally in Eb major, transposed here to F.

    Recorder part, 1 pp.
    $0.50
  • Gnossienne 1

    Written in 1890 for piano solo. Transposed here up a 4th.

    Recorder part, 1 pp.
    $0.50
  • Commentary on BWV 1053

    Originally in E major, transposed here to Bb. Thought to have been based on a lost concerto for oboe. In almost all cases, recorder plays main theme in tutti sections. The 1st movement includes an optional cadenza right before the da capo.

    1 pp.
    $0.00
  • Polonaise

    Originally for concertino and ripieno strings, in G major?we offer a choice of original pitch or in F major. Due to its restricted range, the latter, in particular, may be played on a Renaissance alto. See the note under the Trio from Brandenburg Concerto No. 1. Note that we also feature a version for recorder duet as part of “24 Duets”.

    Recorder part, 1 pp.
    $0.50
  • Menuet I and II

    Originally in Bb major, transposed here to F

    Recorder part, 1 pp.
    $0.50
  • “Danse cuirassée,” from *Vieux sequins et vielles cuirasses*

    Originally for piano solo. Title means, “Armored Dance,” 2nd movement from Old Sequins and old Breastplates. Any size recorder can be used from bass up to soprano, but to stick with the original register, bass or tenor should be used.

    Recorder part, 1 pp.
    $0.50
  • Aria, Bete aber auch dabei from Cantata 115

    Fourth number from the cantata. Originally for soprano, flute, violoncello piccolo, and continuo in b minor, transposed here to d. Title means “Pray though even now as well.”

    Recorder part, 1 pp.
    $1.00
  • Prelude No. 10

    Originally in e minor, transposed here to a.

    Recorder part, 1 pp.
    $0.50
  • Fugue No. 7

    Originally in Eb major, transposed here to Bb.

    Recorder part, 1 pp.
    $0.50
  • 4th Mvmt., Gigue

    Originally in G major, transposed here to Bb.

    1 pp.
    $0.50
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