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  • 2nd Mvmt.

    Originally in G major, transposed here to Bb.

    Recorder part, 1 pp.
    $0.50
  • Duet

    Third number in the cantata. Originally for soprano, bass, oboe, and basso continuo, transposed here from a minor to d. Check out the amazing deceptive cadences. Choice of versions depending on your preference for 1- or 2-page recorder parts. Title means, “God, You have it well disposed.”

    Recorder part, 1 pp.
    $0.50
  • 4. Gigue

    Originally in e minor, transposed here to g.

    Recorder part, 1 pp.
    $0.50
  • Two duets from *Scherzi Musicali* for alto & tenor recorders

    Duet, 1 pp.
    $0.50
  • Chorale Prélude, \"Wenn wir in höchsten Nöthen sein,\" BWV 641

    Originally in G major, transposed here to C. Title means: “When we are in the most urgent peril.”

    Recorder part, 1 pp.
    $0.50
  • 2nd mvmt.

    Originally in g minor, transposed here to d. The violin concerto BWV 1041 in a minor was also used as a source for this arrangement. Care has been taken on the page turns. For movements 1 & 2, which have odd numbers of pages, the page turns were optimized so that it is best to begin with page 1 on the right side?i.e., the best page turns are between pp. 1 and 2, between 3 and 4, etc. Film buffs take note that the ending of the 1991 movie ?Truly, Madly, Deeply? features music from the slow movement of this concerto. Third movement revised May 12, 2015, and Jan. 5, 2016. First movement revised Sept. 4, 2015.

    Recorder part, 1 pp.
    $0.50
  • For Alto Recorder

    1 pp.
    $0.50
  • 2nd Mvmt.

    Originally for double flutes, double oboes da caccia, soprano and continuo, in f dorian, transposed here to a dorian. Title means ?Release, O my heart, your torrents of crying.?

    1 pp.
    $0.50
  • Prelude

    Originally in C# major, transposed here to F.

    Recorder part, 1 pp.
    $1.00
  • 2-part Invention No. 13

    Originally in a minor, transposed here to d.

    Recorder part, 1 pp.
    $0.50
  • Gigue

    In original key of C major. The keyboard parts have newly composed bass lines. Slurs are added, but due to the lack of clarity in the earliest and most important source, they should not be taken overly seriously. Note that we offer the full Suite transposed to F major. One idea would be to use these C major movements as encores, e. g. after performing the full Suite in F. Also note that the Gigue arrangement has been extensively revised as of 8.14.12, and 9.7.13 saw a slight adjustment to the Bourr?e one.

    Recorder part, 1 pp.
    $0.50
  • -1-Duet

    Duet, 1 pp.
    $0.50
  • -1

    1 pp.
    $0.50
  • Aria

    Third number in the cantata. Originally for soprano and continuo, transposed from a minor to d. Title means, “Highest one, make thy goodness henceforth (new every morning).” Because of the limited range of the recorder part, this may be played on a Renaissance alto if desired. See the note on the Trio from Brandenburg Concerto No. 1. Note that we also offer arrangements of this aria for other sizes of recorder and one for recorder duet.

    Recorder part, 1 pp.
    $0.50
  • Prelude No. 15,version in C

    Originally in G major, transposed here to C, with another version in Bb. If one has an alto @ 392, it is possible to mix and match. My opinion is that the recorder part for the prelude is more doable in Bb, and that the part for the fugue is easier in C. Thus one could use a version all in Bb, but using the alto @ 392 to play the fugue, playing from the C major recorder part, but sounding in Bb.

    Recorder part, 1 pp.
    $0.50
  • 1st Mvmt.

    Originally in G major, transposed here to C. If played on tenor or soprano, with F fingering, will be in the same key as original continuo part. (Our keyboard part, when done, will be in C major, to work with recorder part played by alto.) N.B.: This is the original of which BWV 1038 (q. v.) for flute, violin and continuo is an arrangement?possibly not by Bach. As for the present work, doubt exists about where the bass part originated.

    Recorder part, 1 pp.
    $0.50
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